Sunday, May 10, 2009

Cultural differences in expression of emotions

 

Emotions are universal phenomena; however, they are affected by culture. While some emotions are universal and are experienced in similar ways as a reaction to similar events across all cultures, other emotions show considerable cultural differences in their antecedent events, the way they are experienced, the reactions they provoke and the way they are perceived by the surrounding society.

Bases of cultural differences

Self construal

The way a person perceives her/himself in relation to the surrounding human environment affects one’s emotional world. Collectivistic cultures emphasize the fundamental relatedness of individuals to each other, for example by valuing attending to others, fitting in, and harmonious interdependence with them. Thus the self in collectivistic cultures is interdependent, and the individual is focused predominantly on his or her relationship with in-group members or with the in-group as a whole. In individualistic cultures, on the other hand, individuals hold an independent view of the self and seek to maintain their independence from others by attending to the self and by discovering and expressing their unique inner attributes.

Subjective vs. objective emotions

The view of the self as independent in individualistic cultures leads to the perception of emotions as a unique personal experience. The emotional reality is therefore taken as subjective: different people are expected to have different emotional worlds, and to react in different ways to the same experiences. On the contrary, in collectivistic cultures, emotions are experienced out of relationships. They reflect the outer, rather than the inner world and are therefore taken as objective: it is assumed that all people experience the same emotion in a given social situation.

Self and emotions

The construal of the self affect the personal emotional experienced. The need to enhance the self and its independence in individualistic cultures leads to prevalence of emotions that stress the uniqueness and separation of the individual. In collectivistic cultures emotion relate more to the relationships with others and to the fitness of the individual to its social environment. Hence, the same situation might lead to different emotions in collectivistic and in individualistic cultures. In a research held by Mesquita (2001) it was found that achievements related to higher education in Turkey (a collectivistic culture) led to pride as a result of the honor brought to the family, while in Holland (an individualistic culture) similar achievements led to self satisfaction and content.

Cultural norms for emotions

Social norms exist for various aspects of emotions.

  • General emotional norms: what emotions are considered to be good or bad? Which should be more prevalent?
  • Feeling rules: how should one feel when encountering certain event (does being criticized lead to anger or embarrassment?)
  • Display rules: how should one act when experiencing certain emotion (does anger manifest as aggression or withdrawal?)

While individualistic cultures are loose regarding to the display rules (one can express one's feelings as preferred at the moment), norms for positive feeling rules in individualistic cultures are very tight. According to those norms, one should be happy and strive for happiness, and if one is not happy, that means one has failed to achieve life’s goals. In collectivistic cultures such as China, the feeling rules are rather loose: there are no strict expectations about how one should generally feel. However, the display rules are much tighter: there are certain expectations about the way one should show one's feelings in a given context. For example, Confucian cultures consider expression of emotions (both positive and negative) as a possible threat to the social order. Hence, the norms are of not-showing personal emotions. One may feel as one pleases, as long as one doesn’t express it.

Cultural effects on emotional aspects

Culture and Life Satisfaction

Culture affects the subjective well-being. Well-being includes both general life satisfaction, and the relative balance of positive affect verses negative effect in daily life. Culture directs the attention to different sources of information for making the life satisfaction judgments, thus affecting subjective well-being appraisal.

Individualistic cultures direct attention to inner states and feelings (such as positive or negative affects), while in collectivistic cultures the attention is directed to outer sources (i.e. adhering to social norms or fulfilling one’s duties). Indeed, Suh et al. (1998) found that the correlation between life satisfaction and the prevalence of positive affect is higher in individualistic cultures, whereas in collectivistic cultures affect and adhering to norms are equally important for life satisfaction.

Shame and culture in the work context

Shame is an automatic involuntary response to a personal failure attributed to the self. The failure is relative to other’s expectations, thus shame is a social emotion that involves self-consciousness. A study examined the effects of shame on salespersons in Holland (an individualistic culture) and the Philippines (a collectivistic culture). They found that bad experiences with clients led to similar shame emotions in both cultures. However, the responses to this shame were opposite: shame caused Dutch salespersons to withdraw and to perform poorer on their job, apparently because they directed most of their mental resources inwards, to defend the self. Filipino salespersons felt shame all the same; however, the shame caused them to put more efforts in building relationship and thus to perform better on the job. Moreover, Filipino salespersons demonstrated more Organizational Citizenship Behaviors (OCB) after experiencing shame. The reason for this is that in collectivistic cultures shame signals that social harmony has been hampered and that the individual should act to rebuild it.

Wednesday, April 8, 2009

Democracy & Journalism

 

Journalism and Democracy are considered interdependent because Journalism acts as the

  1. Source of information for democracy
  2. Watchdog
  3. Mediator/representative
  4.  

1. Journalism as source of information for democracy.

imageIt is generally accepted that democracy contributes to good government only when it is well informed. According to Britannica Concise Encyclopedia: “Democracy is a form of government in which supreme power is vested in the people and exercised by them directly or indirectly through a system of representation usually involving periodic free elections. It implies universal suffrage, competition for office, freedom of speech and the press, and the rule of law.” In a democratic state people vote for all kind of reasons, as is their right, and not always on the basis of rational thought or careful deliberation. But from the normative perspective the democratic ideal is one of informed choice to which the outputs of political journalism are key contributors. Journalists provide the key information on which citizens become able to judge between competing candidates and parties.

2. Journalism as the Watchdog.

In order to prevent the leakage in democracy, journalism is charged with monitoring the exercise of power. Is government competent, efficient and honest? Is it fulfilling it’s responsibilities to the people? Are there programs and policies based on sound judgment and information, and designed with the interest of society as a whole in mind? In its capacity as watchdog journalism sees the activities of governors, on people’s behalf. Journalism plays the vital role in functioning of the democracy accurately.

3. Mediator/Representative

Journalism plays a role of mediator between citizens and politicians. People’s voices are heard through media. Media gives citizens direct access to the public sphere, in the form of open forums, talk shows, live phone calling programs, studio debates about public affairs etc.

The representative function of journalism is today enhanced by the availability of fast, interactive technologies such as e-mail, text messaging, blogging and many more. All of which provide new ways for citizens to communicate with politicians and participate in public debate. These technologies fuel the democracy to become more developed.

Media itself wants to become free therefore it always supports the democracy. On the other hand the government also needs to communicate with people. It is only possible when there is a well functioning democracy. If we look back to the history of Nepal then we find press took growth after the introduction of democracy in 1951. before it Gorkhapatra was the only medium for government to reach peoples. But later when King Mahendra took the power and declared Panchayat system the right to press freedom was violated and private sectors were restricted. In 1990 after the restoration of democracy Press got flourished and today also it is believed that it was press which took the positive change and growth. Similarly during Janaandolan-2 King Gyanendra took power and attacked Nepali press. Lots of foreign news channels were banned to broadcast in Nepal. News papers were not allowed to publish against the government and F.M. radios were not allowed to broadcast news. After Janaandolan-2 again Nepali media got its freedom and it was possible only because of democracy. If we look at the media of Myanmar then we can find less freedom for press and press working as the mouthpiece of government. It proves that democracy and journalism are both interdependent. Neither journalism nor democracy can be imagined separately.

Sunday, December 28, 2008

5 Photo Essay Tips

photo-essay Today Christina Nichole Dickson looks at the topic of Photo Essays. Christina is a photojournalist for Revolutionary Media. She is also an instructor with the Institute in Photographic Studies. Her work may be found at Christina Nichole Photography.

In the last twenty years, video and film have become the predominant forms of modern storytelling. But before video, there was photography. And for the last one hundred years photography and storytelling went hand in hand.

Now more than ever, the power of storytelling ought to be harnessed. But telling a story with photos takes more than just a skillful photographer. An impacting photo story can only be developed by skillful photographers who understand the emotions and concepts behind ever-great story.

The form of such a story is called the photo essay.

What is a Photo Essay?

A photo essay is very simply a collection of images that are placed in a specific order to tell the progression of events, emotions, and concepts. Used by world class photojournalists such as Lauren Greenfield and James Nachtwey, and Joachim Ladefoged to name a few, the photo essay takes the same story telling techniques as a normal essay, translated into visual images.

5 Photo Essay Tips

A photo essay isn’t simply for photojournalists however. Every human being is drawn to stories. Whether you are an amateur or a professional, the photo essay is a brilliant way to bring your images to life and touch your family, friends, and coworkers.

1. Find a topic: Photo essays are most dynamic when you as the photographer care about the subject. Whether you choose to document the first month of a newborn in the family, the process of a school drama production, or even a birthday party, make your topic something in which you find interest.

2. Do your research: If you document a newborn’s first month, spend time with the family. Discover who the parents are, what culture they are from, whether they are upper or lower class. If you cover the process of a school’s drama production, talk with the teachers, actors and stage hands; investigate the general interest of the student body; find out how they are financing the production and keeping costs down. If you photograph a birthday party, check out the theme, the decorations they plan on using, what the birthday kid hopes to get for his or her gifts. All of these factors will help you in planning out the type of shots you set up for your story.

3. Find the “real story”: After your research, you can determine the angle you want to take your story. Is the newborn the first son of a wealthy family on whom the family legacy will continue? Or does the baby have a rare heart condition? Is the drama production an effort to bring the student body together? Or is it featuring a child star? Is the birthday party for an adolescent turning 13, or the last birthday of a dying cancer patient? Though each story idea is the same, the main factors of each story create an incredibly unique story.

4. Every dynamic story is built on a set of core values and emotions that touch the heart of its audience. Anger. Joy. Fear. Hurt. Excitement. The best way you can connect your photo essay with its audience is to draw out the emotions within the story and utilize them in your shots. This does not mean that you manipulate your audience’s emotions. You merely use emotion as a connecting point.

5.Plan your shots: Whether you decide to sit down and extensively visualize each shot of the story, or simply walk through the venue in your mind, you will want to think about the type of shots that will work best to tell your story. I recommend beginners first start out by creating a “shot list” for the story. Each shot will work like a sentence in a one-paragraph story. Typically, you can start with 10 shots. Each shot must emphasize a different concept or emotion that can be woven together with the other images for the final draft of the story.

Remember that story telling takes practice. You don’t have to be an incredible writer to pull off a powerful photo essay. All you need is a bit of photographic technique, some creativity, and a lot of heart. And once you begin taking pictures in stories, your images will never be the same.

In part II of this series on Photo Essays, I will give a practical example of how I apply these techniques in a photo essay of my own.

Source : http://digital-photography-school.com/blog/5-photo-essay-tips/

Saturday, December 27, 2008